Jerry Nelson as Robin the Frog, performing Halfway Down The Stairs.
Sometimes, if you stand on the bottom rail of a bridge and lean over to watch the river slipping slowly away beneath you, you will suddenly know everything there is to be known.
“
| — | A.A. Milne (via balletisart) |
“One can argue over the merits of most books, and in arguing understand the point of view of one’s opponent. One may even come to the conclusion that possibly he is right after all. One does not argue about The Wind in the Willows. The young man gives it to the girl with whom he is in love, and if she does not like it, asks her to return his letters. The older man tries it on his nephew, and alters his will accordingly. The book is a test of character. We can’t criticise it, because it is criticising us. It is a Household Book; a book which everybody in the household loves, and quotes continually; a book which is read aloud to every guest and is regarded as the touchstone of his worth. But I must give you one word of warning. When you sit down to it, don’t be so ridiculous as to suppose that you are sitting in judgement of my taste, or on the art of Kenneth Grahame. You are merely sitting in judgement on yourself. You may be worthy: I don’t know. But it is you who are on trial.”
A.A. Milne in his introduction to The Wind in the Willows
