The Tartar Tent, the Gothic Church, Temple to the God Pan, the Ruined column and the Pyramid all reside in the abandoned French garden ‘Desert de Retz’. Source.
This massive digital mural is the work of Dutch artists Arno Coenen, Iris Roskam and their team designers and animators. Entitled Horn of Plenty, it’s a 118,000-square-foot work of art that’s projected onto the interior walls of MVRDV's stunning horseshoe-shaped Markthal building in the city of Rotterdam. The building opens in October 2014 and will be home to an indoor market - including fresh fish stands, bakers, butchers, and produce stands, apartments, restaurants, retailers and the municipal court.
The Horn of Plenty is comprised of numerous individual screens working together to create an ultra HD video projection that beautifully blankets the 40-meter high arch inside the building.
"When the work is fully completed in october, an ultra HD video projection will function as a projection screen, displaying a cosmic vortex of food resembling the milky way, slowly rotating the massive images of food as if raining down on the spectator."
Don’t worry if you can’t make it to Rotterdam, click here to view a 360° interior panorama.
fog over (click pic) dubai (photographed by bjoern lauen and chloratine), shanghai (wei gensheng), chicago (steve raymer and bob gaudet), london (mpsinthesky), vancouver (andy clark), and new york (girish tewani)
Photos by Kilian Schönberger
Home made TARDIS console room in Australia by J.P. Fox
one day I will have a console room…
An eccentric wealthy civil servant, Louis Mantin, wrote a will stating that his house was to be closed then reopened to the public a hundred years after his death, shedding light on how people lived back in the 19th century. This peek into life a century ago shows a world of opulence and change. Electricity and hot running water were new phenomena in houses, as were indoor toilets. The living areas were made for women who wore long skirts and sat sewing or at other gentle pursuits while men’s spaces were big and dark and bold.Louis Mantin’s bedroom is a jewel of opulence with its carved four poster bed, but most extreme are the walls covered in gilded leather. This material was made in 1812 and covered in silver leaf, then varnished in yellow to give it a golden look.The bed in the Ladies Salon was hung with curtains in the same pink material the walls are covered in. Called “Four Seasons”, Allaire’s room was extremely feminine, with painted ornamentation above every door showing seasonal scenes.Wanting the best of everything, Mantin’s was the first house in Moulins to have electricity, and one of the only ones to have hot and cold running water as well as toilets on each floor.
The electric lamp shown here came from the catholic church. The assistant curator says: “Mantin wanted to have comfort—he was very interested in modernization.”Mantin was interested in all sorts of eclectic things, and in his house you could find not only the stuffed wolf but also a diorama of real dead frogs fighting a duel in a glass globe. There is also a rat playing a violin and a stuffed blowfish.The toilet is porcelain covered with wood, and the bath of course is a modern (for the time) version of the hip bath. The screen in front of the fire was intended to prevent drafts when people were soaking in the warm tub.The formal living room is opulent in the extreme! It contains marble-topped tables, a chandelier, embroidered chairs, and rather than the usual mirror above the fire place, there is a window into the next roomAlthough the house is stunning, Mantin only partially set out what he intended to show. He did indeed conceal his home for 100 years to reveal the dramatic differences between houses of today and his house from a century ago. However since Mantin was rich and owned a mansion, he is only showing how rich people lived in opulence 100 years ago. This is certainly not how most people lived then.
Situated on the eastern border of Turkey, across the Akhurian River from Armenia, lies the empty, crumbling site of the once-great metropolis of Ani, known as “the city of a thousand and one churches.” Founded more than 1,600 years ago, Ani was situated on several trade routes, and grew to become a walled city of more than 100,000 residents by the 11th century. In the centuries that followed, Ani and the surrounding region were conquered hundreds of times — Byzantine emperors, Ottoman Turks, Armenians, nomadic Kurds, Georgians, and Russians claimed and reclaimed the area, repeatedly attacking and chasing out residents. By the 1300s, Ani was in steep decline, and it was completely abandoned by the 1700s. Rediscovered and romanticized in the 19th century, the city had a brief moment of fame, only to be closed off by World War I and the later events of the Armenian Genocide that left the region an empty, militarized no-man’s land. The ruins crumbled at the hands of many: looters, vandals, Turks who tried to eliminate Armenian history from the area, clumsy archaeological digs, well-intentioned people who made poor attempts at restoration, and Mother Nature herself.